Waterfalls / AMOK / Busy Busy Busy

>–A few of us went yesterday to see Olafur Eliasson’s “Waterfalls,” which is a very large, very expensive public art installation on the East River. I decided earlier in the year, upon seeing a horrible but earnest dance performance, that I was going to see if I could spend 2008 not hating on other artist’s work. But: I just don’t see what’s impressive about them. Firstly, they are, if you ask me, quite ugly. Scaffolding? Really? Eliasson says on the project’s website that he used scaffolding because it is a “common part of New York City’s landscape.” OK, so it’s part of our landscape, but it’s also ugly. When the wind blows the water back through the scaffolding, that’s when the work really starts to look cheap. Also, these oil-spill-style barriers at the base of each waterfall? I’m not feeling you, Olafur.

–Circus Amok is in full swing. At least my side of things. The shows run September 6-28, in fifteen different city parks throughout the boroughs. Do you fear for the health of your mortgage? Do you love Glinda the Good Witch? Do you ache for the pumping dimensions of disco? Are you party to particle physics? It’s all here, baby. More updates soon….

–I’m busy with a few of projects that I hope to share with you soon. Some writing, some reading, a new idea for my old novel. It occurred to me that I’d like to give it some kind of life, whatever life it might be able to have. Look for that happening in the fall. There’s also some September happenings, with my friend and fellow queer writer, Charlie Vazquez. And then more publishing ventures in November–two somehow opposing, and yet complimentary anthologies.

Apologies for the slowness of the updates. It’s that time of year.


One Comment on “Waterfalls / AMOK / Busy Busy Busy”

  1. j3black says:

    >I haven’t seen “Waterfalls” in person, but based on photos, I see your point. It looks like an unfinished water ride. Public art can fascinate when unexpected, but there’s a fine line between unexpected and unwanted. Disappointing, especially compared to an artist’s rendering I saw in January.


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