From the New 4th of July

A lot has been happening. Last night I was at dinner in Williamsburg with my bff, who is in the middle of filing for divorce. She and I became friends because we sat next to each other in chemistry class in 1994-1995, passing notes back and forth about all the cute boys and how over all the rest of it we were. Our school had white dry erase boards, and our teacher–bald and charismatic–never used an eraser, he used his fingers. Wiping out chemical equations, moving atoms from one side to another, and then rubbing his face and head.  At the end of the day he’d be covered in blobby smudges of blue and green.  I never understood why we had to learn those things, oxygen and hydrogen and sodium and how each attracts or doesn’t attract the other. At the time I remember thinking ‘I will never need this in my life, ever.’ Because by that age you are basically already who you are, and you know what you will and won’t ever need. I realize why they teach those things–because you cast the widest net in order to catch the most students.  So, I am eating the za’atar blackened chicken and we are talking about how horrible her ex-husband has been acting and we are drinking room temperature martinis because the restaurant is so very hot.  A summer storm begins, and it is pouring down the awning outside and at the edge of the fabric it looks like tiny silver beads, and I am thinking: I do not know how I would have made it through chemistry class, and the last 16 years, without her.

After, I walk to the G Train at Metropolitan, and on the platform is a busker playing banjo, using his empty suitcase as both a stool and base drum.  Across, on the opposite platform, is a guy playing the fiddle, and in fact, the two of them are playing together. I’m not drunk (what’s two drinks?) but I’m a little buzzy, and it was one of those nights, when New York feels magic, the night before today, the 4th of July, when everyone’s weekend starts at the same time, and it feels like everyone is having lukewarm martinis and is happy to ride the subway at least for the air conditioning. They sound pretty incredible, these two, playing together, filling the whole station. It works. The uptown-going and the downtown-going are given the opportunity to watch each other, to make sense of the music coming from both directions. Everyone is suddenly engaged in a new way.

A guy, tall and black and wearing a white v-neck t-shirt, sits down next to me on the bench, we are both moving to the music, just enough to feel it. “Where is that sound from?” he asks me, not waiting for an answer. “Tennessee, Missouri, Louisiana? Creole or Cajun or Bluegrass some kinda shit like that, right?” “Yes,” I tell him, “but by way of Brooklyn and Steve Reich or…something.”  It sounds like they’re playing bluegrass from space, but, well, less terrible than that. The guy nods his head, “Yeah, I guess it doesn’t matter where anything comes from, does it?”  The train arrives and we say goodbye and have a good night.

This is a good thing for me to hear right now. In April, my parents put their house, the one I grew up in, on the market.  Last week they moved into their new house in Florida, where they are closer to my brother, and his two sons, their grandchildren.  My folks lived on Murray Hills Drive for 31 years. I spent 14 years in that house before moving to New York. I write those numbers, thinking how can there be such a difference? A few years from now, I will have lived in New York longer than I ever lived in Tennessee. It is a line that I am still not ready to cross.

Everyone has been asking me about their move, about how I feel about it. Particularly they are asking about the 4th of July. My parents, for each of those 31 years, hosted a 4th of July potluck brunch for the entire neighborhood, somewhere between 100 and 200 people. The mayor might speak, the fire department sends a shiny red truck for the kids to climb on. ( In the early years there were 20 boxes of a dozen Krispy Kremes, perfectly warmed by the Tennessee morning.)  My mother gives prizes for the best patriotic costumes. This year there won’t be a party. But there I am, writing about the 4th and what happens, still in the present tense.  And now it is the 4th of July morning, and I am not gathering picnic tables from all the nearest neighbors backyards, or running to the Bi-Lo for four gallons of each red, yellow and orange punch, or trying to oversleep while the brass band goes through the briefest of rehearsals.  I am, instead, in Brooklyn, at my desk with my 16 year-old cat leaning against the laptop, writing this post.  The party was small-town, it was original, with a touch of weird–unique, maybe, is a better word.  And what I loved most about it was sharing it with my friends from New York.  If I am missing one thing the most, it is that.

I’m visiting the whole family in Florida the first week of August.  Part of me feels like it is too far away, like I cannot wait the whole month to see the spaces and the neighborhood that my parents are now a part of.  I am not sure how long it will take me to understand Florida the way I understood Tennessee–at the cellular level, inside the smallest most elemental part of me.  The sharpness of the plants there.  The low, flat light.  My guess is: never.

Maybe it doesn’t matter where something comes from.  I write this, even though I know it isn’t true.


Fire Island / Follies

tumblr_inline_mzs5moseXT1qgsg8fFire Island / Follies is a fictional memory piece consisting of 5 photographs and 43 text segments written and edited in transit on my iPhone’s Notes application. Screencapped, cropped, and assembled into tiny spiral-bound collectibles.

What happens when Stephen Sondheim and James Goldman’s “Follies” refuses to leave the ears and experience of a man alone in a house full of vacationing women?

Fire Island / Follies is inspired by the ocean, communal living, and
the complexity of queer communities.

Hand-numbered in a first edition of 100.

$15.00, including shipping.
Click here to purchase.


Crying Frodo, Vol.1 #8: Farmer’s Market Story, A Semi-Fiction

New Crying Frodo, out today.Screen Shot 2013-10-01 at 9.18.01 AM

Farmer’s Market Story: A Semi-Fiction.

Issue #8 explores the relationship between money and lack of money, between community and impromptu community, between monotony and newness.  All in 20 pages of semi-fiction and photos.

Subscribe by clicking here.

 


Some Fire Island Thoughts

In July I went to Fire Island for a few days to stay with friends who had rented an entire house for an entire month.  There were 43 people on the spreadsheet that accompanied the emails about who was sleeping in which bed which nights.  During the days there were long trips to the beach, communal meals, and group activities–one of which was a writing assignment.  We were asked to think about our morning and write about what happened.  Simple as that.  This is what came out.

I woke up and the house was quiet.  I wasn’t sure if anyone was up, or if everyone was gone.  I looked on the porch to see everyone sleeping, seeing how they had arranged themselves after I had gone to bed. Kelly was on the opposite side of the porch that I had presumed, and that was a surprise.  I like to know that people are taken care of.  It was foggy; you could not see the short of Long Island from the deck, so I sat there for a minute, looking out at the space, thinking about the time when early mankind would look out at expanses of sea and wonder what was possibly on the other side, as if they questioned how they would get there.  It’s not a profound thought, really.  I think of this moment often.  I’m attracted to that moment of leaving the shore for the first time.  Was it an act of faith or desperation?  Were the people persecuted in some way?  The pugs downstairs were sitting on the couch by the window as I walked around the house–and I wondered if the boys had come home yet–were they still out at wherever that amazing light had come from.  I circled by the outdoor shower and along the path near the new ivy.  The stairs were wet–I wondered if it had rained, or if this is what happens when you go to the beach–surfaces collecting the ocean overnight.  We talk about the sea like it’s one thing.  But it is different depending on where you are–brown, shaggy, clear, sometimes warm like a bath.  I find it hard to think about all of its millions of variations throughout the globe.  The sea does this to us, I think.  We cannot imagine something so huge and varying.  We assign a mind and feelings to it.  We need it to respond to us the way we respond to it.


LOL?

Him: I thought his short stories were too sad.

Me: That’s basically all I care about.  Sadness.


Road Blindness

Somewhere along I-95
I finally come to understand
this thing called road blindness,
having centered myself in deep thinking
about what some character would or wouldn’t do,
some mystery of foggy logistics,
for a indeterminate sum of seconds,
coming out of it to
sudden swaths of cadmium forsythia
along the shoulder,
followed immediately by
a road sign for Glastonbury,
which is the hometown
of this one impossible love of mine,
you know the type,
who keeps appearing in my Facebook feed,
and Google Reader, and Email Inbox,
because people send me this shit not even thinking.


Everything About This is Perfect


And Then I Was Briefly on The Daily Show

The Daily Show with Jon Stewart
Get More: Daily Show Full Episodes,Political Humor & Satire Blog,The Daily Show on Facebook


From Something I’m Working On Today

The first time Shawn does it, it is an accident.  He is nine years old, and when he comes home from school his fish is belly-up in the bowl.  It is the third or fourth fish that has died in his care—it’s okay, he knows that’s what fish do—but he does wonder how long the fish has been like this.  Shawn puts his hands on the sides of the glass, and leans his face down close to the water.  He stares at the tiny curved body.  Then a brightness comes erupting up from the center of him, he can not control it, and the room is briefly filled with a dazzling white light.  It shoots down his arms, hotter, and his hands feel tingling and flushed.  The fish twitches, twists it’s body back and forth two times, then gulps, breathes.  Alive.


What Happened During Sandy

During the Grace Jones show at Roseland last Saturday night — which deserves its own long rambling post here, but I’m too frazzled to do so, and too short on big meaty adjectives — she mentioned that another hurricane was coming to town, saying: “That bitch is following me.”  Sunday, after a few hours sleep, I went out to Jackson Heights to sell syrup at the Greenmarket there, and the wind was picking up, and then my friend Drea stopped by to tell me that the MTA was closing the entire system at 7:00pm that evening.  “You’ve been here all day, start paying attention,” she said.

At this point, Facebook and Twitter was filling up with snarky, congratulatory posts about everyone’s bad weather stockpile — brie, wine, duck confit, wine, whiskey — New Yorker’s were saying “I will remain a New Yorker despite the coming storm.”  I always find these posts a bit unnerving, too often taking into account the politics of food movement systems, the resource consumption of cities in general, and the reiteration of just how fucking much New Yorkers drink.  But I went with my friend, the filmmaker John Summerour, to the Pacific Grocery on 74th Street to get some last minute pickings before Sandy arrived.  There I was in line — it was busy, but not overly so — feeling sheepish about my own selections: frozen parathas, tins of Thai curry paste, rice crackers, Japanese sweet potatoes, a Pomelo, mint infused chocolate.

On Monday, the storm had slowed to moving only about 5-15 miles per hour, the worst of it was scheduled to hit around 8:00-11:00pm that night, so at 1:30 in the afternoon, Kip and I gathered at Sycamore, the local whiskey spot, for too many afternoon drinks with friends, feeling terribly insulated by the booze and the love, and only at about 5:30 did we begin looking out the window and thinking “hey, we should really get going right about now.”  So we got going home, each of us to our apartments, with promises to stay in close touch as Sandy moved across us.

Then, for me at least, nothing else really happened.

I never lost electricity, or Internet service, or friends or family members, or the water or the heat or the food in the fridge–it’s Friday today, and the parathas are still frozen.  With the Greenmarkets cancelled basically everywhere, I’ve got no where to be until tomorrow at 5:00am.  I hoped to take in wayward friends from Manhattan or some closer place — but basically anyone close enough to get to our far-ish-away Brooklyn neighborhood had plenty of electricity and Internet themselves.

But I still feel damaged.

I look at pictures of the East Village, of Breezy Point, of Chelsea and Coney Island — and think that they are disaster film sets, or from some future version of the world.  I still find it hard to understand just how the water…just….comes up onto the shore six, eight feet deep.  There were five-hour lines to buy gasoline on Coney Island Avenue, which is not an exaggeration, people waited in their cars for five hours.  There was a separate line of people with empty red plastic gas containers.  That line was moving faster, but it was hundreds deep.  The police were managing both the car line and the standing line.  I was grateful that I didn’t need to be in either.

Sometimes gratitude feels like disconnection.  It feels like you want to be close to the dangerous areas because for no reason at all — or for arbitrary reasons — you ended up fine and with nothing to worry about.  Gratitude feels like worry — for the polling places all across the Eastern coast that were damaged or destroyed, and the worry that important, vital voters will find difficulty getting to where they need to be next Tuesday, or they will be too distracted, beaten down, weathered to make the journey to their new polling place.  Gratitude feels like anxiety: for yourself, for your co-workers, your peers, your friends, your customers.

Sometimes gratitude feels like you want to move fast, run fast, ride a bike, imagine yourself on a roller coaster, a new kind of movement, something different than what it feels like to wander around your apartment waiting for things on the news to get worse, and worse, then better, then worse, before they get better, finally.

They will get better, finally, yes?